This was recorded by the Portsmouth Sinfonia in an experiment where all the members of the orchestra would swap instruments with each other and attempt to play them to the best of their ability.
favorite things about this
literally all the brass starts to get the hang of it and then the crescendos happen and everyone is like FUCK FUCK FUCK??? FUCK. JUST. BLOW RLY HARD.
the strings are lazy but also the same. like u can tell a lot of the ppl w/ the stringed instruments may already basically know how to play stringed instruments. like there’s definitely a section at the beginning where you hear a good portion going “oh yeah this is like. a smaller/bigger version of what i do.”
all you hear of any woodwinds is just “pffffttt??? pFFFTTTT???? PFFFFFTTTT I SAID PFFFFTTTT!!!!!” bc woodwinds are fucking HARD and you hear after like the first crescendo half of them just give up. they give up. they’re done. fuck this it tastes weird and my lips hurt.
that trumpet. that person is fucking TRYING man they fucking GOT this. they may not have figured out notes but they figured out LOUD and they GOT this.
Artist Isaac Cordal(tumblr / facebook) - “With the simple act of miniaturization and thoughtful placement, Isaac Cordal magically expands the imagination of pedestrians finding his sculptures on the street. Cement Eclipses is a critical definition of our behavior as a social mass. The art work intends to catch the attention on our devalued relation with the nature through a critical look to the collateral effects of our evolution. With the master touch of a stage director, the figures are placed in locations that quickly open doors to other worlds. The scenes zoom in the routine tasks of the contemporary human being”.